Monday, October 31, 2011

Halloween Spooks

Halloween completes the triumvirate of my favorite holidays. Along with Christmas (keeping messy theology out of the mix, there are plenty of presents for everyone) and Independence Day (when I make things explode), this is the good stuff.  Ghosts, spooky stories, butchered pumpkins... Ah, yes. Don't forget: Today is the last day to enter my October contest.


And fun reading material--

Editor K.V. Taylor of The Red Penny Papers is kind of enough to publish my second Sons of Chaos serial novella. Head over and read part 1 of The Sons of Chaos and the Desert Dead. Nothing like a good evisceration on Halloween. It's going to get weird.



(Can you believe jack-o'-lanterns used to be made from turnips? Turnips!)

Friday, October 28, 2011

Say Hello to My Little Friend


My Kindle helps me edit.

It's an idea I've borrowed (er, stolen) from Alan Ryker. Throw your manuscript on Kindle (don't worry about formatting--any old mobi will do), and then turn on text to speech.  What a bonus. Seriously. I've found many areas I want to fix only after hearing "someone else" read my book.

One funny little bit--the robo-voice pauses longer for commas than periods. It makes for strange phrasing at times.  Not to mention the humor of hearing an expressionless voice say phrases such as:

"...we can't call snow-plows-r-us..." or "We'd be fine if dipshit hadn't landed us in the ditch."

Need a mobi? Save your manuscript as a filtered web page (from the drop down menu) and convert with Calibre. I like to follow along on-screen as the robo-voice reads.

What does all this mean for you, dear readers? In the Memory House is that much closer...

Thursday, October 27, 2011

Coffin Hop: Mastering Suspense

Alfred Hitchcock earned many names in his time as a filmmaker, including The Master of Suspense.

Suspense is vital to most writing--every story depends on at least a little emotional tension or there is no story. (Thumb your nose, guardians of the avant-garde.) Horror, thriller, and mystery fiction relies on suspense.

I showed my classes this wonderful clip from The Birds. While Rear Window, North by Northwest, and Psycho may have been better films from start to finish, this snippet reveals Hitchcock's masterful touch (and is pretty damn creepy, as well).


Suspense is all about waiting. You know something bad is going to happen, but the master makes you wait for it.

Wednesday, October 26, 2011

WIP Wednesday: The Best Little Editing Book (Ever?)

I'm going through In the Memory House and purging unnecessary language. Not the f-bombs, oh no. Although I've been criticized before, if my characters need to vent, they need to vent.

I'm using suggestions from the late Ken Rand's book, The 10% Solution, to cull unnecessary words from the book.

The ctrl+F (find) feature is a writer's best friend. I've already made an adverb pass (searching for "ly").  I'm currently limiting "of"'s appearances. (I almost wrote "appearances of of"--see how it works?)

What editing tricks do you use to prepare your manuscripts?

Tuesday, October 25, 2011

Coffin Hop Day Two: Ghost Floats (and a new story)

Head over to Every Day Fiction to read "The Long Walk to Never" today. As always, comments and ratings are appreciated.

Here's another blast from the past, Coffin Hoppers: Ghost Floats, a fun drink with a spooky pedigree. I offer it word for word as it was in the original text, The Little Witch's Black Magic Cookbook by Linda Glovach.

20 minutes / 2 servings

You'll need a blender, measuring spoon, measuring cup, and glasses.

Ingredients:

1 cup prepared powdered milk (fresh milk won't work)
1 teaspoon vanilla extract
1 cup diet soda

Ask your mother to get the blender out of the cupboard.

Put the milk and the vanilla in the blender. Slowly add the soda.

Blend at medium speed for two minutes. Pour into two glasses and put them in the freezer for ten minutes.

When you take the drink out of the freezer you will see the ghosts floating on top. This is a great drink fro mother witches on diets because it has only 57 calories*. And the little witches who are not on a diet can use regular soda.

*Yeah, I know. WTF? But the book was published in 1972. A whole helluva lot of witches were on diets back then. Or something like that.

Do you remember any recipes or special Halloween treats from your childhood?

Monday, October 24, 2011

Coffin Hop Kick Off: Halloween Past

I'm excited about this week's Coffin Hop. Head over to the main site for a massive pile of other sites to visit. As many of you know, I'm running a contest for October, and all Coffin Hoppers are elligible to enter.

Today's challenge, ghouls and ghosties, is to name the band for which the artist who recorded the following song is most famous:




I know all it will take is a little poking around on the interweb, but hey, that's the beauty of the 21st century. I listened to the vinyl version of this song (and accomanying story) about a million times when I was a kid. Feed me, Seymour--and look what happened.

So you can enter by sending an email to aaron.polson(at)gmail.com with the subject line "coffin hop". All those who submit correct answers will also be eligible for an electronic ARC of In the Memory House, my forthcoming not-exactly-haunted house novel.

Happy hopping!


Sunday, October 23, 2011

Sample Sunday: from Darker Matter

from "Penance" a previously unpublished short story included in Darker Matter:

During Brother John’s final round through rows of sleeping flock, he found prisoner AA23 dead in his stasis tube. John pressed his palm to the canopy, flinching slightly at the cold, smooth surface, and uttered the last rites. His gaze swept over the rest of the flock, assured of their relative peace. Twenty-five blinking green dots responded in broken rhythm.

Another death. Three inside of a month. Five all together. Something must be wrong with the chambers—but no malfunctions of this magnitude had ever been recorded. Not while the Order operated the penance ships. John fumbled with his thick robes, drawing them close about his throat. The tips of his fingers found the com-link. His mouth dried. He moved his tongue around, trying to find courage and words. Maybe half an hour left on his meditation. Glass tubes stared back at him, tubes offering the ghost image of their human occupants. The hold of the Corpus Christi frightened him. So big. So empty and cold save for the sleeping murderers and rapists locked away for their penitent flight.
He pressed the black com button, and the device crackled in response.
 
“Yes. What is it Brother John?”

“Brother Matthew,” he said. “We've lost another.”


My little e-book of dark "science fantasy" is now available for Kindle. A Smashwords edition is coming soon, I promise. Buy the Kindle edition of Darker Matter for only $0.99.

Saturday, October 22, 2011

Hosting a Halloween Drive-In: Top 10 Public Domain Horror Films

It's more of a "sit in" because we host in our backyard. Tonight, we're watching It's the Great Pumpkin Charlie Brown and risking a wrist slapping from the copyright police (since we have no permission to display the movie to the "public"*--shhhhh).  

If you want to host a drive-in, you'd be safer (and more legal) showing some of these horror goodies from the public domain vault (at least I think these are all in the public domain). All text is from IMDB

You can also stumble over to www.horrortheque.com for a whole browser window full of free horror goodies.  Tis the season!

10. Dementia 13 1963, Francis Ford Coppolla

John Haloran has a fatal heart attack, but his wife Louise won’t get any of the inheritance when Lady Haloran dies if John is dead. Louise forges a letter from John to convince the rest of his family he’s been called to New York on important business, and goes to his Irish ancestral home, Castle Haloran, to meet the family and look for a way to ensure a cut of the loot. Seven years earlier John’s sister Kathleen was drowned in the pond, and the Halorans enact a morbid ritual in remembrance. Secrets shroud the sister’s demise, and soon the family and guests begin experiencing an attrition problem.

9. Phantom of the Opera 1925, Rupert Julian

At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What’s his goal? What’s his secret?

8. The Last Man on Earth 1964, Ubaldo Ragona

Dr. Robert Morgan (Vincent Price) is the only survivor of a devastating world-wide plague due to a mysterious immunity he acquired to the bacterium while working in Central America years ago. He is all alone now…or so it seems. As night falls, plague victims begin to leave their graves, part of a hellish undead army that’s thirsting for blood…his!

7. The House on Haunted Hill 1959, William Castle

Millionaire playboy Fredrick Loren hosts a party for his 4th wife Annabelle Loren at the “House On Haunted Hill,” a house that has seen seven murders, Fredrick invites 5 guests: Lance Schroeder,a pilot, Ruth Bridges, a journalist, Watson Prichard, the owner of The House On Haunted Hill, Nora Manning, a worker for one of Fredrick Loren’s companies, and David Trent, a psychiatrist. Fredrick will offer each of them $10,000 to spend a night in The House On Haunted Hill. They all want the money. At midnight, the caretakers lock to doors, and the terror begins!

6. Dr Jeckyll and Mr Hyde 1920, John Robertson

Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men – a good and an evil side. He believes that by separating the two men can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes.

5. The Cabinet of Dr Caligari 1919, Robert Wiene

A horror film that surpasses all others. Alan relates the story of traveling magician Dr Caligari and Cesare. Their arrival in a town coincides with savage killings. Secretly Caligari was an asylum director who hypnotizes Cesare to re enact murders. But the final reel contains something, which will leave an audience shattered. It blows away all your moral certainties and beliefs. This is the true power of its horror. To leave you vulnerable and uncertain of what you feel was secure and certain.

4. The Most Dangerous Game 1932, Irving Pichel & Ernest B. Schoedsack

An insane hunter arranges for a ship to be wrecked on an island where he can indulge in some sort of hunting and killing of the passengers. 

3. Nosferatu 1922, F Murnau

An unauthorized production of Bram Stoker’s work (The legal heirs didn’t give their permission), so the names had to be changed. But this wasn’t enough: The widow of Bram Stoker won two lawsuits (1924 and 1929) in which she demanded the destruction of all copies of the movie, however happily copies of it were already too widespread to destroy them all. Later, the Universal studios could break her resistance against this movie. Count Orlok’s move to Wisburg (Obviously the real “Wismar”) brings the plague traceable to his dealings with the Realtor Thomas Hutter, and the Count’s obsession with Hutter’s wife, Ellen the only one with the power to end the evil.

2. Night of the Living Dead 1968, George Romero

The dead come back to life and eat the living in this low budget, black and white film. Several people barricade themselves inside a rural house in an attempt to survive the night. Outside are hordes of relentless, shambling zombies who can only be killed by a blow to the head.



1. M 1931, Fritz Lang

A psychotic child murderer stalks a city, and despite an exhaustive investigation fueled by public hysteria and outcry, the police have been unable to find him. But the police crackdown does have one side-affect, it makes it nearly impossible for the organized criminal underground to operate. So they decide that the only way to get the police off their backs is to catch the murderer themselves. Besides, he is giving them a bad name.



*The public being our family and a few friends. 

Thursday, October 20, 2011

Wednesday, October 19, 2011

WIP Wednesday: Always Seeking Feedback

Writers should always be on the search for feedback.By feedback, I'm not speaking of reviews, per se, but actual critiques of one's work. This is one way in which a writer improves his/her craft.

Sometimes reviews offer helpful critique; sometimes they're drivel. Not all reviews are created equal, regardless of what I've written in the past. Sometimes they come from unexpected corners. Take this snippet from a review at an Elftown wiki:

It's hard to tell if the main character, Aaron (yeah, same name as the author) is hallucinating the paranormal events (seeing dead bodies in the dumpster at work, thinking he sees the old man they killed lurking in all corners), or if there is something truly amiss, which is one of the things I rather like about the story. It's a horror story, but you don't really realize how horrific it is until the end.

Thanks, Ixel, whoever you are. I appreciate every reader.

Every time I tell my wife I've received a new review, she asks "Who is (insert reviewer or review publication here)?" Good question. I usually can't answer--even when a review is published at a "professional" site.

So why is it authors hang on reviewer's words? Why is it we seek feedback, and keep seeking even when we are disappointed by the quality/quantity/content?

What does this have to do with my WIP? I'm juggling how to go about landing critiques for In the Memory House before loosing it on the world. I'm wondering if I should or let readers be my guides...

Tuesday, October 18, 2011

"Loaners" published at Lovecraft eZine

It's been a while since I've been able to direct my dear readers to a free read online. Just in time for the haunted season, you can read my short story, "Loaners" at Lovecraft eZine.

I should mention our dear main character uses the f-word (and even thinks it). Just in case you thought a story posted at an ezine dedicated to H.P. Lovecraft was going to be all clean and wholesome.Just in case.

Anyway, thanks to editor Mike Davis for publishing the piece.

Have a wonderfully macabre day.



Monday, October 17, 2011

My Son, the Writer of Weird Fiction

The Great Minds Think Aloud Book Club has a little interview with yours truly about Halloween, the favorite holiday of this horror writer. Hop on over and check it out.

Owen entered his first writing contest today. His story was... interesting. Think classic Weird Tales thrown into a blender. A troop of baboons then rearranged the scraps of paper.  My favorite bit:

I tried to open my eyes again. I couldn’t. So I decided to get them open with razors. I cut slits in my eyes so I could see. Though it hurt, it didn’t really matter. I needed eyes. That was what my grandma said. 

The moral? Always listen to Grandma. (I have no clue where he came up with this razor idea.  No clue.)

Have a wonderful Monday.

 

Wednesday, October 12, 2011

WIP Wednesday: The Insidiousness of Memory


I'm making some revisions to In the Memory House, and as my intrepid protagonist finds her room, I realize my own memories have spilled onto the page.  Have you ever read "The Yellow Wallpaper" by Charlotte Perkins Gilman? You should. (It's rather creepy.)

I covered poor Kelsey's (the protag) room in yellow wallpaper.

The walls were hung with wallpaper—not a plain yellow, either. Upon closer inspection, she noted a subtle pattern of darker vertical lines, but the lines were made of a tiny, repeated shape. The shape reminded Kelsey of corn cobs. She was in the corn-cob room. Absurd. Her fingers touched the wall and found a slight texture, small bumps where the shapes rose from floor to ceiling. 

And as another character says:

“Yellow. Yech. It’s a rather mustardy shade, don’t you think?”

So there it is--my subconscious giving me details for a spooky room in a spookier house. Thanks Fred.

Have ever accidentally dropped details into a story from fragments of memory?

Monday, October 10, 2011

What Kolchak The Night Stalker Taught Me About Story Telling






I had the opportunity to dust off my Kolchak: The Night Stalker DVDs this weekend. What a marvelous bit of macabre TV history.

A storyteller (e.g., writer) can learn much from Kolchak. For example:

  1. Suspense is your friend. Make the audience wait. Kolchak slowly uncovers the truth, piecing the story together with the audience. Brilliant.
  2. Don't show your hand too soon, or hide the monster's face for the first half of the story.
  3. Build a story around a character and setting which works. Kolchak (the series) is set in Chicago--a big enough place for plenty of people to be murdered, and Kolchak (the character) is a freelance news reporter (which gives him latitude to investigate those murders). 
  4. Tension between characters drives the plot.Was there any police captain in Chicago Kolchak didn't lead to a heart attack with his intrepid (if not annoying) questioning?
  5. Take a trip to the underworld: The final 5-10 minutes of each episode usually involved Kolchak going to the monster's lair and looking for him/it/her. Some of the spookiest sh*t on TV.
  6. Give your protagonist some quirks. Kolchak was never known as a snappy dresser... (What's with the hat?) 
  7. Most importantly, don't be a one trick pony. Kolchak is a great show, but only survived one season. I'm guessing it was cancelled because, quite frankly, every episode was the same. Watch them in a row and you'll get the pattern.
What have you learned about storytelling (or writing) from your favorite television programs?

Saturday, October 8, 2011

Items Found Above the Bathroom Ceiling in Room 215, Best Western North, Wichita Kansas


1.      A receipt from Wal-Mart, smudged and illegible except for the date, 5/6/11, and the word “bakery”
2.      Two condoms, without wrappers, dry
3.      A razor blade, two-sided, rusted with a dark brown crust on one side
4.      A plastic bag, quart size Ziploc, containing $5,000 in small bills (20s, 10s, 5s), bound with a rubber band
5.      Three empty syringes, 100 cc, plastic tube with stainless steel needles, empty
6.      One human finger (presumably female), severed from the 1st metacarpo-phalangeal joint, wrapped in plastic, fingernail painted (chipped) with candy apple red
7.      One worn copy of Stephen King’s Night Shift, paperback, 1979, with several pages missing (123-167)

(a work of fiction, FYI)

Friday, October 7, 2011

Friday Featured Read: Don't Fear the Reaper by Michelle Muto


Grief-stricken by the murder of her twin, Keely Morrison is convinced suicide is her ticket to eternal peace and a chance to reunite with her sister. When Keely succeeds in taking her own life, she discovers death isn’t at all what she expected. Instead, she’s trapped in a netherworld on Earth and her only hope for reconnecting with her sister and navigating the afterlife is a bounty-hunting reaper and a sardonic, possibly unscrupulous, demon. But when the demon offers Keely her greatest temptation—revenge on her sister's murderer—she must uncover his motives and determine who she can trust. Because, as Keely soon learns, both reaper and demon are keeping secrets and she fears the worst is true—that her every decision will change how, and with whom, she spends eternity.

Links:

Thursday, October 6, 2011

Name That Tombstone






I posted this picture on Monday--blank tombstones made of 1/4 plywood sub-flooring.

We need some suggestions for names; so far, we have:

Owen Moore than he could pay

Max D. Out

(both named after my kids--macabre much?)

...and something about a zombie.

Three ideas, but five tombstones. Any suggestions?

Wednesday, October 5, 2011

WIP Wednesday: It's a Business

This year, I'm going to pay income tax on my writing earnings for the first time in my life. Taxes are scary.

This means several things:
  1. I've made enough income from a single source that the IRS will come find me if I don't.
  2. I can legitimately "write off" the home office as a business expense. 
  3. I need to start running my affairs as a business.
So what, exactly, does #3 entail?

When I started writing, I wasn't sure what, exactly, I was doing. My prose lacked and my business skills were none-existent. I've improved (a little) on the writing front. The only sure way to write better is to write more.

But this business thing?

Discussing money is a rather taboo subject, but money is at the core of a business. Last month, between formatting jobs, e-book sales, short story payments, and royalties from my publishers, I added over $500 to the family coffer. I'd be thrilled if I could do this on a consistent basis, but most of these "revenue sources" are variable.

And variable is scary.

I want my wife to be able to work part-time (she wants it, too). She can bring home about half of her current salary working part-time as a therapist (counselor). If I can crank my earnings from the writing/formatting "business" to about a grand a month, we can make it work. I'm heading that direction. But her counseling business is variable, and so is the writing.

And variable is scary.

I've been writing longer than I have treated it as a business. Businesses have plans. I need a plan.

My heart wants to write another book right now. My business manager tells me to get to work revising and editing In the Memory House so I can make a release date in December. Heart and business manager need to compromise.

Or maybe I need a new business manager, because I'm keeping my heart.


Tuesday, October 4, 2011

In the Memory House: Canned

And by "canned" I mean the first draft of In the Memory House is DONE.

Whew.

It's a slim book at only 60K, but those words came with a price: months of writing and rewriting and several characters who will never be the same.

Some may have even been harmed in the drafting of this book. *sad face*

On to a short story I've been itching to write, and then edits and the next book and the next and the next...

Happy writing.

Monday, October 3, 2011

The October Contest

This is the greatest month of the year. Not only does the end of October bring Halloween, but the horror movie marathons fill cable channels, the leaves do their annual color-change magic (around here, at least), I convert leftover sub-flooring into tombstones for the yard (above), and I can hold a ridiculous contest.


Ridiculous as in awesome.

Grand Prize: You name and supply physical/psychological characteristics for a character in my next book. Here's the teaser: Four friends gather at their twenty year high school reunion to pay respects to a friend who died in high school... Within a week of their meeting, one of them is murdered. I'll leave it there, for now.

1st Place: You supply me with two characters (general types, e.g., plumber--you can name them if you wish), a situation, and a setting, and I write a piece of flash fiction (of at least 500 words) to share with the world.You may even name the piece, if you wish.

2nd Place: I will write a Friday Flash (of at least 100 words) with any title you supply.

So how do you enter?

Every time you do the following, you receive "points" (points like tickets in a raffle):

1. Comment on my blog anytime during October. 1 point

2. Tweet about the contest (include my Twitter handle: @aaronpolson) 2 points

3. Tweet about any of my books (include my Twitter handle: @aaronpolson) 2 points

4. Write a review of any of my books at Amazon, Goodreads, or Smashwords; better yet, post the same review at all three. 5 points each  (15 to post at all three...whoot)

5. Buy a book.  You'll have to let me know at aaron.polson(at)gmail.com.  5 points


To facilitate #5 (and celebrate October), I've lowered the price on all my self/indie published books to 99 cents at Amazon.com for the next week.  Get 'em while they're hot.

The contest ends on October 31st at midnight Central Standard Time; winners will be announced November 1st.